Discover all the music and songs that appear in Wonder Woman 1984!
Despite its’ 80s vibe, there are relatively few nostalgic pop songs in Wonder Woman 1984 sprinkled over Hans Zimmer’s score. That said, there are certainly still some iconic tunes in the film that accompany the production design and marketing campaign of the 1980s. The film may not do in the chosen decade what Guardians of the Galaxy did. in the ’70s. And there is certainly a lack of needle drop moments. But Wonder Woman 1984 still contains some classic hits. To find out if a sequel will emerge, read this.
After saving the world in WWI. Diana seems to have spent the intervening decades showing heroism. And sadly remember her lost love, Steve Trevor. In 1984, while working at the Smithsonian Institution in Washington DC. He meets his colleague Barbara Minerva an artifact that allows him to realize his dream, the Stone of Dreams. After her wish comes true brings Steve back, Diana realizes that Dreamstone isn’t all that it seems. And that he must save the world once more before it is consumed by the greed of the oil magnate Max Lord.
But while some fans have speculated that this new DCEU movie would indulge in the sounds of the era with a series of synth-pop songs from the decade. The film most frequently uses Hans Zimmer’s orchestral music to highlight its highlights. Here are the songs that were used in the movie anyway!
What is the music in Wonder Woman 1984?
Welcome to the Pleasuredome – Frankie Goes to Hollywood
“I” – Gary Numan
“Voi Che Sapete – Wolfgang Amadeus Mozart
“Adagio in D minor – John Murphy
“I won’t let you” – Clinton shorter
“Cars” – Gary Numan
“Rio” – Duran Duran
The first song That stars in what is fast becoming the highest-grossing pandemic movie is “Welcome to the Pleasuredome.” This song is played when Diana enters the Smithsonian Gala. And it continues as Barbra and Max Lord chat as the latter tries to access Dreamstone. Later during the gala, “I” plays in the background. While Diana is harassed by a colleague who brags of his access to the White House while searching for Barbara and Lord.
Wolfgang Amadeus Mozart’s “Voi Che Sapete” is performed as Diana takes Steve to Washington and catches up with him about what has eluded her over the years. Although it dates from the 1700s, it is a 1780 piece. After a long part of the second act on Zimmer themes. Adagio in D Minor, originally composed for Danny Boyle’s 2007 film Sunshine, appears in this project, among many others. Here it appears in two guises when Diana makes the painful decision to give up her wish. And leave Steve in the past, and soon after, while he learns to fly.
Finally, “I Won’t Leave You” plays in the penultimate scene where Diana walks through a snowy market. Where he meets the man whose body was inhabited by the spirit of Steve Trevor for much of the film. “Cars” and “Rio” overlap the credits; without Duran Duran, the soundtrack wouldn’t be an 80s movie.